EPK
Video
Music
High Res Photos
Photo: Curtis Perry
Photo: Stephen Fuller
Bio
Photo: Stephen Fuller
Full
A Millennial autoharpist meets a Boomer 12-string player at a festival, and all sorts of musical magic ensues. Ottawa-based acoustic duo Libby & Cal transcend boundaries and trip across genres while tackling subjects that are rarely voiced in song. Their music is heartfelt, delightfully risqué, and painfully honest.
They have played at various venues in Ontario and Quebec, as well as the 2025 California Autoharp Gathering. Together they have three albums and counting: Our Lady of Perpetual Hammer in 2021, If You've Given Up on Love, Then Let's Call it Something Else in 2022, and The Hagstrom-Schmidt Affair in 2025.
Libby bought her first autoharp - an Oscar Schmidt found through an online ad - in 2014 after many back-breaking years of lugging her electric piano to gigs. Under the name Elizabeth Bruce she released two albums of piano-based music: As We Sadden Each Other to Sleep in 2007 and The Silent I Know in 2013. She currently plays a prizim autoharp gifted to her by Loren Crowley, who originated the prizim system. Libby also teaches music and runs a monthly women-centered open mic called "Sad Girl Café".
Cal (AKA Doug Hendry) has been entertaining crowds with his musical talent since the age of four, singing in a choir in his native Scotland. As a teenager, he made his way playing street corners and folk clubs throughout Britain and Europe. Cal emigrated to Canada in 1991 and has played regularly in various bands including Odd One Out, Bruce Enloe and the Burning Sensations, Emmi Winter and the Heroic Mad Peasants, Fiddlehead Soup, Tripoly, and the Grenville Troubadours.
"Libby and Cal unswervingly do their own thing and it is great." - James Stephens
“Their harmonies are as tight as those of The Everly Brothers!” - Suzanne Nuttall
150-word
A Millennial autoharpist meets a Boomer 12-string player, and musical magic ensues. Ottawa-based acoustic duo Libby & Cal transcend boundaries while tackling subjects that are rarely voiced in song. Their music is heartfelt, delightfully risqué, and painfully honest.
They have played at various events in Canada, as well as the 2025 California Autoharp Gathering. Together they have three albums and counting: Our Lady of Perpetual Hammer, If You've Given Up on Love, Then Let's Call it Something Else, and The Hagstrom-Schmidt Affair.
Libby bought an autoharp in 2014 after years of lugging her electric piano to gigs. She currently teaches music and runs a women-centered open mic called "Sad Girl Café".
Cal (AKA Doug Hendry) has been performing since the age of four, singing in a choir in his native Scotland. Cal emigrated to Canada in 1991 and has played regularly in bands including Odd One Out, Fiddlehead Soup, and Tripoly.
75-word
A Millennial autoharpist meets a Boomer 12-string guitarist, and musical magic ensues. Ottawa-based acoustic duo Libby & Cal transcend boundaries and trip across genres while tackling subjects that are rarely voiced in song. Their music is heartfelt, delightfully risqué, and painfully honest.
They have played at various events in Ontario and Quebec, as well as the 2025 California Autoharp Gathering. Together they have three albums of original music and counting, most recently The Hagstrom-Schmidt Affair (2025).
Contact
Libby Hortop and Cal Tranner libbyandcal@gmail.com
"Just a word to thank you once again for a stellar performance last night at the Tilted Steeple. People were just raving about your set, which was finely crafted, exquisitely performed and highly entertaining (also quite naughty)."
- Isabelle Delage
"Their original songs feel traditional and modern all rolled into one, their lyrics are heartfelt, witty and full of double-entendres and their harmonies are as tight as those of The Everly Brothers!"
- Suzanne Nuttall
“Great singing and imaginative harmonising that is always compelling in its own right. And is there any other duo in this world that uses autoharp and 12 string guitar? I think not. Libby and Cal unswervingly do their own thing and it is great."
- James Stephens
"We don't usually think of a 12 string guitar and autoharp as being natural pals, but the combined solo and harmony voices with these not usually paired instruments is effective and even haunting... It is interesting material, vocally, compositionally, and instrumentally."
- Nan Bovingdon
"These lyrics slay me and the harmonies make it a pretty kind of slaying."
- Rorie Kelly





